Postall: Photography, Writing & Visual Arts

I want to be part of people's lifes through my objects. Growing up and even now, I am a socially anxious person that could even come across as cold or even bitchy. I haven't developed certain set of tools to communicate with others, nontheless the need is very much there. Objects on the other hand are often easier, and their character is soft and slow. This character is what makes me fall in love with some quirky vernacular pieces or with the Japanese post-metabolsim that I gobbled up in Architecture School years ago. These three influences are pivotal in my work: my pieces are moving and sensitive objects captured in a frame of space and time. I aim for these objects to make people smile and feel, in a deeper way, at home. From complex international background and with a childhood in constant movement somewhat traumatic, the quietness and steadiness of home, as a paradigm, are central. I center now my efforts in helping others and myself accomplish a new and personal conception of what home and homestyling is.

Kilzi / designing timeless objects that feel alive.

POSTALL VOL.4

Kilzi / designing timeless objects that feel alive.

By

Kilzi (Jorge Suárez-Kilzi)

An illustration inspired by MAISONARTC

Orchid ladies illustration

POSTALL VOL.4

Orchid ladies illustration

By

Luchina Akhmad

Para el romántico, los pasos sobre las ciudades son un descubrimiento diario sobre la pasión y el sentido que el mundo se da a si mismo. Por ello cuando el caminante deja de caminar, su mundo pierde el sentido y el romance se convierte en incertidumbre. Para amar y conocer las alegrías de las personas hay que caminar de la mano de un mundo lleno de tradiciones y personas que a ellas le dan su vida.

Panteón de Mezquitán

POSTALL VOL.4

Panteón de Mezquitán

By

Felipe Reyes Barbero

The perspective was different. The framed Latinoamérica Tower reminds us an icon from our city that is watched from everywhere. This picture was taken with a Hasselblad 500, 60MM lens and 120mm Kodak Portra 400.

Lantinoamerica

POSTALL VOL.4

Lantinoamerica

By

JONATHAN JIMENEZ

It is through this visual narrative, in which I expose all the traits or aspects that affect people both individually and globally, those fears and voids that I know are generated in the midst of a time when the majority of the world is more connected in the digital world, creating the absence with the connection that could exist with his true feelings. A mood pandemic is born here, a state in which women and men of all ages are absent from personal connections, with more difficulties to show love, affection or affection, causing them to be only melancholy beings led to lonely states, depressive or simply, forgetting about human, friendly and family interaction.

Ataraxia: dreams and melancholy

POSTALL VOL.4

Ataraxia: dreams and melancholy

By

Oscar Wisdom

I want to be part of people's lifes through my objects. Growing up and even now, I am a socially anxious person that could even come across as cold or even bitchy. I haven't developed certain set of tools to communicate with others, nontheless the need is very much there. Objects on the other hand are often easier, and their character is soft and slow. This character is what makes me fall in love with some quirky vernacular pieces or with the Japanese post-metabolsim that I gobbled up in Architecture School years ago. These three influences are pivotal in my work: my pieces are moving and sensitive objects captured in a frame of space and time. I aim for these objects to make people smile and feel, in a deeper way, at home. From complex international background and with a childhood in constant movement somewhat traumatic, the quietness and steadiness of home, as a paradigm, are central. I center now my efforts in helping others and myself accomplish a new and personal conception of what home and homestyling is.

Kilzi / designing timeless objects that feel alive.

POSTALL VOL.4

Kilzi / designing timeless objects that feel alive.

By

Kilzi (Jorge Suárez-Kilzi)

with music in my head

POSTALL VOL.4

with music in my head

By

Yuliya Trints

Profound reflections on people's fragility. Could be you, could be me. Could be anyone.

Heart of Glass

POSTALL VOL.4

Heart of Glass

By

Laura S Martineé

Confined in a metamorphic form, we see ouselves bofere becoming just another material trapped in a different form. The body, our current form, is the carrier of the soul, in which both momentarily coincide in harmony. Matter can be a home to the soul, as for the soul is merely passing through matter. The soul does not belong to matter, it feels trapped and imprisoned. It strives to reunite with its origins. Matter will follow its metamorphic nature, changing in form through time as it visits the living and the non living. The soul seeks to be detached from its current form to step into a new relm and go back to its origins.

Trapped in Matter

POSTALL VOL.4

Trapped in Matter

By

Diego Inestrillas

Short Story/Fiction

A Woman Like Her

POSTALL VOL.4

A Woman Like Her

By

Vanessa Grillone

1. Solar Speaks 2. Bringing Water from the Moon 3. Flying Horse by John Boudreau all created in 2022 with metal leaf and acrylic on canvas. Thank you for your consideration and have a wonderful day.

Myths

POSTALL VOL.4

Myths

By

John Boudreau

A 35mm perspective of people, places and the spirit of NYC.

Visual Notes from the Streets of NYC

POSTALL VOL.4

Visual Notes from the Streets of NYC

By

Nikhil Singh

An illustration inspired by MAISONARTC

Orchid ladies illustration

POSTALL VOL.4

Orchid ladies illustration

By

Luchina Akhmad

a butcher shop in melaka, malaysia, aug 22

the butcher shop

POSTALL VOL.4

the butcher shop

By

j.m.sancho

This mask was made as part of a series on anti-surveillance and the pleasures of anonymity. As the project progressed each mask I made developed it's own story. Datamask represents the imprints of one's existence that will live eternally in cyberspace long after that person's mortal flesh has corroded. Like a digital exo-skeleton.

Datamask

POSTALL VOL.4

Datamask

By

Thomas Houlihan

1. Solar Speaks 2. Bringing Water from the Moon 3. Flying Horse by John Boudreau all created in 2022 with metal leaf and acrylic on canvas. Thank you for your consideration and have a wonderful day.

Myths

POSTALL VOL.4

Myths

By

John Boudreau

Behind our eyes we are blind. We live in thoughts and ideas, that we imagine, that we think we see. We are the audience of life, observers, ignorant and arrogant. We think we remember, we see images in front of our eyes, memories we say, false in reality, transformed by ideas and feelings. Regardless of that we find truth in them. Our perception suffers from myopia. We can perhaps see clearly what is closest to us, but at a distance things begin to lose their true form. We do not see things as they are, we inevitably adapt reality to ours, it is our truth.

Myopia

POSTALL VOL.4

Myopia

By

Diego Inestrillas

I want to be part of people's lifes through my objects. Growing up and even now, I am a socially anxious person that could even come across as cold or even bitchy. I haven't developed certain set of tools to communicate with others, nontheless the need is very much there. Objects on the other hand are often easier, and their character is soft and slow. This character is what makes me fall in love with some quirky vernacular pieces or with the Japanese post-metabolsim that I gobbled up in Architecture School years ago. These three influences are pivotal in my work: my pieces are moving and sensitive objects captured in a frame of space and time. I aim for these objects to make people smile and feel, in a deeper way, at home. From complex international background and with a childhood in constant movement somewhat traumatic, the quietness and steadiness of home, as a paradigm, are central. I center now my efforts in helping others and myself accomplish a new and personal conception of what home and homestyling is.

Kilzi / designing timeless objects that feel alive.

POSTALL VOL.4

Kilzi / designing timeless objects that feel alive.

By

Kilzi (Jorge Suárez-Kilzi)

This mask was made as part of a series on anti-surveillance and the pleasures of anonymity. As the project progressed each mask I made developed it's own story. Datamask represents the imprints of one's existence that will live eternally in cyberspace long after that person's mortal flesh has corroded. Like a digital exo-skeleton.

Datamask

POSTALL VOL.4

Datamask

By

Thomas Houlihan

The photographs present abstract coastal landscapes, which I captured in different regions of the world. The variation of the flora's shapes, which appeared in front of my camera, became an inspiration to explore human relationships and identity. By creating these diptychs, which are the combination of positive and negative of the same capture, I wanted to emphasise potential opposite elements of the same subject. For me, it also symbolises the duality of human character with its complex nature which constitutes our psychological portrait which is woven from different experiences and emotions such as depression, anxiety, happiness, joy or calm. I also observed another aspect of these compositions. I realised that they display the connection between the currently existing world and something new, which can appear in the future and constitute the outcome of our deconstructive activity on our planet.

The inverted world

POSTALL VOL.4

The inverted world

By

Jakub Pasierkiewicz