Stories

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Jakub Pasierkiewicz
The photographs present abstract coastal landscapes, which I captured in different regions of the world.  The variation of the flora's shapes, which appeared in front of my camera, became an inspiration to explore human relationships and identity. By creating these diptychs, which are the combination of positive and negative of the same capture, I wanted to emphasise potential opposite elements of the same subject. For me, it also symbolises the duality of human character with its complex nature which constitutes our psychological portrait which is woven from different experiences and emotions such as depression, anxiety, happiness, joy or calm. I also observed another aspect of these compositions. I realised that they display the connection between the currently existing world and something new, which can appear in the future and constitute the outcome of our deconstructive activity on our planet.
POSTALL VOL.4
The inverted world
By
Jakub Pasierkiewicz
Laura S Martineé
Profound reflections on people's fragility. Could be you, could be me. Could be anyone.
POSTALL VOL.4
Heart of Glass
By
Laura S Martineé
Kyle Le
Dublin is where I first found my love for street photography. Having recently visited the city again this past year after moving away, I felt a wave of nostalgia that reignited a creative itch for photography. There's moments of life on every street corner.
POSTALL VOL.4
The Gentleman of Dublin
By
Kyle Le
Alan Meza
POSTALL VOL.4
Sin título/Untitled
By
Alan Meza
Les Chevaliers Photographes
Post-apocalyptic photographic project “Kataclysm_e”: If humanity survives its excesses, what will be the conditions of its existence? For us, the case of a cataclysm is no longer an outlandish hypothesis. And with the climatic upheavals that we are experiencing, everything is already there so that we can alert, show, see... Alone, naked, decked out in an oxygen mask and neo-rock goggles, a man seems to appear out of nowhere. His free nudity is contradicted by the suffocation of the gas mask which forces us to ask ourselves the question of what to do to avoid the worst. This is the portrait of a man of the future world, if humanity continues on the same path.
POSTALL VOL.4
Kataclysm_e
By
Les Chevaliers Photographes
Jocelyn Morales
"Caligrafías" is a on-going experimental still life series that aim to translate the lyrical expressions from different objects in nature and daily life, specially flora. The research of visuals focuses on the subtle touch that emerge between light, shadows and form as a language.
POSTALL VOL.4
Caligrafías
By
Jocelyn Morales
John Boudreau
1. Solar Speaks 2. Bringing Water from the Moon 3. Flying Horse by John Boudreau all created in 2022 with metal leaf and acrylic on canvas. Thank you for your consideration and have a wonderful day.
POSTALL VOL.4
Myths
By
John Boudreau
John Boudreau
1. Solar Speaks 2. Bringing Water from the Moon 3. Flying Horse by John Boudreau all created in 2022 with metal leaf and acrylic on canvas. Thank you for your consideration and have a wonderful day.
POSTALL VOL.4
Myths
By
John Boudreau
Emma Flache
While in Brooklyn this summer, some work was done in my apartment. I was definitely surprised when I saw -1 toilet in my bathroom and +1 outside. Loved the vibe tho.
POSTALL VOL.4
Outdoor bathroom
By
Emma Flache
Emma Flache
While in Brooklyn this summer, some work was done in my apartment. I was definitely surprised when I saw -1 toilet in my bathroom and +1 outside. Loved the vibe tho.
POSTALL VOL.4
Outdoor bathroom
By
Emma Flache
Cody J. Muniz
An observation of what was and what will become.
POSTALL VOL.4
Trainspotting
By
Cody J. Muniz
Vanessa Grillone
Short Story/Fiction
POSTALL VOL.4
A Woman Like Her
By
Vanessa Grillone
Vanessa Grillone
Short Story/Fiction
POSTALL VOL.4
A Woman Like Her
By
Vanessa Grillone
Luchina Akhmad
An illustration inspired by MAISONARTC
POSTALL VOL.4
Orchid ladies illustration
By
Luchina Akhmad
Luchina Akhmad
An illustration inspired by MAISONARTC
POSTALL VOL.4
Orchid ladies illustration
By
Luchina Akhmad
Nikhil Singh
A 35mm perspective of people, places and the spirit of NYC.
POSTALL VOL.4
Visual Notes from the Streets of NYC
By
Nikhil Singh
Marion
POSTALL VOL.4
Share my art
By
Marion
Thomas Houlihan
This mask was made as part of a series on anti-surveillance and the pleasures of anonymity. As the project progressed each mask I made developed it's own story. Datamask represents the imprints of one's existence that will live eternally in cyberspace long after that person's mortal flesh has corroded. Like a digital exo-skeleton.
POSTALL VOL.4
Datamask
By
Thomas Houlihan
Thomas Houlihan
This mask was made as part of a series on anti-surveillance and the pleasures of anonymity. As the project progressed each mask I made developed it's own story. Datamask represents the imprints of one's existence that will live eternally in cyberspace long after that person's mortal flesh has corroded. Like a digital exo-skeleton.
POSTALL VOL.4
Datamask
By
Thomas Houlihan
Bennito
Women relax in the Caribbean Sea
POSTALL VOL.4
Woman
By
Bennito
Kilzi (Jorge Suárez-Kilzi)
I want to be part of people's lifes through my objects. Growing up and even now, I am a socially anxious person that could even come across as cold or even bitchy. I haven't developed certain set of tools to communicate with others, nontheless the need is very much there. Objects on the other hand are often easier, and their character is soft and slow. This character is what makes me fall in love with some quirky vernacular pieces or with the Japanese post-metabolsim that I gobbled up in Architecture School years ago. These three influences are pivotal in my work: my pieces are moving and sensitive objects captured in a frame of space and time. I aim for these objects to make people smile and feel, in a deeper way, at home. From complex international background and with a childhood in constant movement somewhat traumatic, the quietness and steadiness of home, as a paradigm, are central. I center now my efforts in helping others and myself accomplish a new and personal conception of what home and homestyling is.
POSTALL VOL.4
Kilzi / designing timeless objects that feel alive.
By
Kilzi (Jorge Suárez-Kilzi)
Kilzi (Jorge Suárez-Kilzi)
I want to be part of people's lifes through my objects. Growing up and even now, I am a socially anxious person that could even come across as cold or even bitchy. I haven't developed certain set of tools to communicate with others, nontheless the need is very much there. Objects on the other hand are often easier, and their character is soft and slow. This character is what makes me fall in love with some quirky vernacular pieces or with the Japanese post-metabolsim that I gobbled up in Architecture School years ago. These three influences are pivotal in my work: my pieces are moving and sensitive objects captured in a frame of space and time. I aim for these objects to make people smile and feel, in a deeper way, at home. From complex international background and with a childhood in constant movement somewhat traumatic, the quietness and steadiness of home, as a paradigm, are central. I center now my efforts in helping others and myself accomplish a new and personal conception of what home and homestyling is.
POSTALL VOL.4
Kilzi / designing timeless objects that feel alive.
By
Kilzi (Jorge Suárez-Kilzi)
Kilzi (Jorge Suárez-Kilzi)
I want to be part of people's lifes through my objects. Growing up and even now, I am a socially anxious person that could even come across as cold or even bitchy. I haven't developed certain set of tools to communicate with others, nontheless the need is very much there. Objects on the other hand are often easier, and their character is soft and slow. This character is what makes me fall in love with some quirky vernacular pieces or with the Japanese post-metabolsim that I gobbled up in Architecture School years ago. These three influences are pivotal in my work: my pieces are moving and sensitive objects captured in a frame of space and time. I aim for these objects to make people smile and feel, in a deeper way, at home. From complex international background and with a childhood in constant movement somewhat traumatic, the quietness and steadiness of home, as a paradigm, are central. I center now my efforts in helping others and myself accomplish a new and personal conception of what home and homestyling is.
POSTALL VOL.4
Kilzi / designing timeless objects that feel alive.
By
Kilzi (Jorge Suárez-Kilzi)
Kilzi (Jorge Suárez-Kilzi)
I want to be part of people's lifes through my objects. Growing up and even now, I am a socially anxious person that could even come across as cold or even bitchy. I haven't developed certain set of tools to communicate with others, nontheless the need is very much there. Objects on the other hand are often easier, and their character is soft and slow. This character is what makes me fall in love with some quirky vernacular pieces or with the Japanese post-metabolsim that I gobbled up in Architecture School years ago. These three influences are pivotal in my work: my pieces are moving and sensitive objects captured in a frame of space and time. I aim for these objects to make people smile and feel, in a deeper way, at home. From complex international background and with a childhood in constant movement somewhat traumatic, the quietness and steadiness of home, as a paradigm, are central. I center now my efforts in helping others and myself accomplish a new and personal conception of what home and homestyling is.
POSTALL VOL.4
Kilzi / designing timeless objects that feel alive.
By
Kilzi (Jorge Suárez-Kilzi)
Kilzi (Jorge Suárez-Kilzi)
I want to be part of people's lifes through my objects. Growing up and even now, I am a socially anxious person that could even come across as cold or even bitchy. I haven't developed certain set of tools to communicate with others, nontheless the need is very much there. Objects on the other hand are often easier, and their character is soft and slow. This character is what makes me fall in love with some quirky vernacular pieces or with the Japanese post-metabolsim that I gobbled up in Architecture School years ago. These three influences are pivotal in my work: my pieces are moving and sensitive objects captured in a frame of space and time. I aim for these objects to make people smile and feel, in a deeper way, at home. From complex international background and with a childhood in constant movement somewhat traumatic, the quietness and steadiness of home, as a paradigm, are central. I center now my efforts in helping others and myself accomplish a new and personal conception of what home and homestyling is.
POSTALL VOL.4
Kilzi / designing timeless objects that feel alive.
By
Kilzi (Jorge Suárez-Kilzi)
Kilzi (Jorge Suárez-Kilzi)
I want to be part of people's lifes through my objects. Growing up and even now, I am a socially anxious person that could even come across as cold or even bitchy. I haven't developed certain set of tools to communicate with others, nontheless the need is very much there. Objects on the other hand are often easier, and their character is soft and slow. This character is what makes me fall in love with some quirky vernacular pieces or with the Japanese post-metabolsim that I gobbled up in Architecture School years ago. These three influences are pivotal in my work: my pieces are moving and sensitive objects captured in a frame of space and time. I aim for these objects to make people smile and feel, in a deeper way, at home. From complex international background and with a childhood in constant movement somewhat traumatic, the quietness and steadiness of home, as a paradigm, are central. I center now my efforts in helping others and myself accomplish a new and personal conception of what home and homestyling is.
POSTALL VOL.4
Kilzi / designing timeless objects that feel alive.
By
Kilzi (Jorge Suárez-Kilzi)
Beorht Lewinski
POSTALL VOL.4
Dark side of the moon vol 2
By
Beorht Lewinski
Dana Al Rashid
A poem and an illustration (both by me) describing the burdensome load of family and traditions in middle eastern societies. Here, we are forever entangled by the shoulds and shouldnt's of the society, or else the price is dear. A woman is expected to stay a virgin until marriage, both genders are expected to stay in the family household until married, even if they are well into their 30's and 40's. As you can imagine, there are endless restrictions on how to behave, what to think, and what to wear. The term 'fetching certificates' is referring to the push towards academic success for women here -at least in my own family household- without paying any attention to their more immediate needs, families metaphorically 'spay' their daughters to preserve honor. No matter how old a woman is, as long as she is unmarried, she has a curfew as when to get back home, it is usually no later than 9 or 10 pm. In many households, the rooms are keyless to further monitor and control the behavior of the 'children', children who, as I have mentioned earlier, are well into their 30's. Attached are two versions of the artwork (sensored and unsensored).
POSTALL VOL.4
Umbilical Cord
By
Dana Al Rashid
Dana Al Rashid
'Ghosted' is a poem about love in the smartphone age. A phenomenon that most of us has experienced, it has become incredibly easy to delete someone from our lives, removing any accoutnability. Dana Al Rashid is a visual artist and writer from Kuwait.
POSTALL VOL.4
Ghosted
By
Dana Al Rashid
GN
Hello my name is Gian! I don’t know how it works cuz it’s my first time applying. I am a person who likes to take pictures from “afar” using my phone. Distant objects inspire me the most to the point that it became the theme for my Instagram. So I would like to share these pictures to the world. Thank you so much!
POSTALL VOL.4
“Photograph from afar”
By
GN
Florian Lambrecht
POSTALL VOL.4
Salt water
By
Florian Lambrecht
Diana Cano
POSTALL VOL.4
Stillness
By
Diana Cano
Diana Cano
POSTALL VOL.4
Stillness
By
Diana Cano
Richard Wells
Taken from a project called "The flowers are blooming again" about the search for a safe space or "home" in a hostile and alien environment. Inspired by Andrei Tarkovskys film Stalker, in particular the central characters view that the dangerous terrain of the Zone feels more like home to him than the city /country in which he lives. These images are part of my own journey to find a place that feels like home in an intimidating environment.
POSTALL VOL.4
Haar
By
Richard Wells
Courtney Townsend
I’m constantly mesmerized by the interaction of various ecologies between different beings. I want my photographs to inspire a sense of wonder and mystery, but also a curiosity about the natural world and how to co-exist with it meaningfully and with great care. All of my work is in 35mm film, which allows me to experiment and engage with a more authentic process.
POSTALL VOL.4
Ethereal Spit
By
Courtney Townsend
Monica_ME
Artista transdisciplinaria. Es licenciada en ciencias de la comunicación, fue productora de programas de televisión cultural. Sus trabajos han sido seleccionados en Bienales regionales. Apuesta por el arte conceptual , cualquiera que sea el soporte: fotografía, collage, instalación, arte digital y fotografía Habla 5 idiomas y también es escritora y cuenta cuentos.
POSTALL VOL.4
Same fact, different perceptionsz
By
Monica_ME
Courtney Townsend
I am a self taught photographer working and experimenting with film. I’m researching multi species realities and am A mother to two wild human boys and 2 wild canines.
POSTALL VOL.4
Ethereal spit
By
Courtney Townsend
Samantha Dashiel
35mm black and white digitalized photographs.
POSTALL VOL.4
Pescadores (Fishermen)
By
Samantha Dashiel
Diego Inestrillas
The voices of hundreds of people mix with the sound of music at a distance, an old man playing nostalgic music by the bosporus and a guitar player under a bridge. The rustling of leafs can be hard to differentiate from the sound of the multitude. At times all of these sounds become mute and the chants from the muezzin run the streets. A young boy rushes to the mosque for the prayer to catch up with his family. Music on the streets is still playing, people are still loud and the leafs still rustle.
POSTALL VOL.4
The sound of Istanbul
By
Diego Inestrillas
Diego Inestrillas
Behind our eyes we are blind. We live in thoughts and ideas, that we imagine, that we think we see. We are the audience of life, observers, ignorant and arrogant. We think we remember, we see images in front of our eyes, memories we say, false in reality, transformed by ideas and feelings. Regardless of that we find truth in them. Our perception suffers from myopia. We can perhaps see clearly what is closest to us, but at a distance things begin to lose their true form. We do not see things as they are, we inevitably adapt reality to ours, it is our truth.
POSTALL VOL.4
Myopia
By
Diego Inestrillas
Diego Inestrillas
Confined in a metamorphic form, we see ouselves bofere becoming just another material trapped in a different form. The body, our current form, is the carrier of the soul, in which both momentarily coincide in harmony. Matter can be a home to the soul, as for the soul is merely passing through matter. The soul does not belong to matter, it feels trapped and imprisoned. It strives to reunite with its origins. Matter will follow its metamorphic nature, changing in form through time as it visits the living and the non living. The soul seeks to be detached from its current form to step into a new relm and go back to its origins.
POSTALL VOL.4
Trapped in Matter
By
Diego Inestrillas
Yuliya Trints
POSTALL VOL.4
with music in my head
By
Yuliya Trints
Yuliya Trints
POSTALL VOL.4
with music in my head
By
Yuliya Trints
Natalia Barragán Orozco
These images are part of a self-portraits series called "Burden". The name of the series conveys that something precious and banal like your hair can give you an unnecessary burden that is also linked to absurd stereotypes about gender roles and how a woman and a man should look. At least, it was for me and it took me time to realize how social norms were indirectly deciding for me, as my hair became something that no longer resonated with me, at the same time it was hard to let go of the concept that my long hair represents greater femininity and effort, but I didn't realize this because I don't have the privilege of analyzing all this because I have to move on with my career and I need money to eat. I have like a year trying to take these photos to finally cut my hair. The intention of these images is to describe the relation that I have with my hair, you can see me, trying to emerge between my hair because normally is covering my face, my neck is down because my hair weights and cause me headaches, and also you can see that I have a lot of hair meaning that it is difficult to manage it. It is tiresome to comb it, to take care of it, and I know what are you thinking: “why do you keep it? You can cut it!” -Yes-, I’m going to, this serie is a goodbye to my hair, I know it sounded like I hated it but I also I love it, you see I'm 34 years old, since high school I started to grew my hair keeping it considerable long, for me it was normal to receive comments on the streets about my hair from strange people, "so beautiful hair" "I love your braids" "are you using extensions?" "do you sell it?", and it's not like my hair is a national treasure but from my perspective it was something very meaningful because it gave me a lot of confidence to the point I thought if I was cutting my hair I would lose my appeal, my image would be lost. That's why I wanted to take these self-portraits, to give it a proper goodbye honoring its time with me. Goodbye hair.
POSTALL VOL.4
Burden
By
Natalia Barragán Orozco
Binarie
This portrait is part of a series of 30 images I created. I named the series "Jhalak", a Hindi word, meaning "Glimpse" as through the images, as well as quotes from the subject, I explore her culture and her relationship with it, as an Indian woman, born and living in the U.K.
POSTALL VOL.4
Jhalak
By
Binarie
Kaé O’Meally (Haute & Oak)
(Note: I am not certain on the order the images will be uploaded) Image 1-4: Bleed Canvas in Brown/Black & White. Handmade from start to finish, including canvas. Image 5-7: Loui Side table & Drape decorative bowls (Handmade side table: wood, concrete and faux marble. Handmade decorative bowls: cloth and layered concrete)
POSTALL VOL.4
Handmade interior furnishings and artwork that stir up conversation, thought and feeling.
By
Kaé O’Meally (Haute & Oak)
Felipe Reyes Barbero
Para el romántico, los pasos sobre las ciudades son un descubrimiento diario sobre la pasión y el sentido que el mundo se da a si mismo. Por ello cuando el caminante deja de caminar, su mundo pierde el sentido y el romance se convierte en incertidumbre. Para amar y conocer las alegrías de las personas hay que caminar de la mano de un mundo lleno de tradiciones y personas que a ellas le dan su vida.
POSTALL VOL.4
Panteón de Mezquitán
By
Felipe Reyes Barbero
j.m.sancho
a butcher shop in melaka, malaysia, aug 22
POSTALL VOL.4
the butcher shop
By
j.m.sancho
JONATHAN JIMENEZ
The perspective was different. The framed Latinoamérica Tower reminds us an icon from our city that is watched from everywhere. This picture was taken with a Hasselblad 500, 60MM lens and 120mm Kodak Portra 400.
POSTALL VOL.4
Lantinoamerica
By
JONATHAN JIMENEZ
JONATHAN JIMENEZ
The perspective was different. The framed Latinoamérica Tower reminds us an icon from our city that is watched from everywhere. This picture was taken with a Hasselblad 500, 60MM lens and 120mm Kodak Portra 400.
POSTALL VOL.4
Lantinoamerica
By
JONATHAN JIMENEZ
Oscar Wisdom
It is through this visual narrative, in which I expose all the traits or aspects that affect people both individually and globally, those fears and voids that I know are generated in the midst of a time when the majority of the world is more connected in the digital world, creating the absence with the connection that could exist with his true feelings. A mood pandemic is born here, a state in which women and men of all ages are absent from personal connections, with more difficulties to show love, affection or affection, causing them to be only melancholy beings led to lonely states, depressive or simply, forgetting about human, friendly and family interaction.
POSTALL VOL.4
Ataraxia: dreams and melancholy
By
Oscar Wisdom
Rebecca Brightling
On a hike in the north of England, I walked through this beautiful small village which was really only a cluster of stone cottages. There in the stone wall was this vibrant red postbox still in use today! It wasn’t just any postbox but one with “GR” on it, standing for King George V, the current Queen’s grandfather. It’s quite rare to find a postbox of this era, which makes it all the more special to find.
POSTALL VOL.4
Historic Red Postbox
By
Rebecca Brightling
Binarie Balasuriya
In regards to the narrative of my work, my aim was to capture a scene which conveys multiple. I was inspired by Joel Meyerowitz, who once mentioned in an interview that he wanted his street photography to be "portals into the momentary characters of reality", a concept which I found incredibly fascinating. Therefore, I chose to adopt this approach myself, with this image. The appeal of street photography for me personally, is its unique and candid nature, as no two shots are alike.
POSTALL VOL.4
An Ephemeral Moment
By
Binarie Balasuriya